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An analysis to accompany S01E05 by Dr Zahra Tavassoli Zea One of the most little studied facts about Cahiers du cinéma is that its most famous critics witnessed the emergence of national cinemas in the 1950s with a striking degree of scepticism. French New Wave directors such as Eric Rohmer, François Truffaut, Jean-Luc Godard andContinue reading “Honduran Sand is the New Marble”
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